Hollywood Musical Essay

The Hollywood provides different melodious compositions that somehow affected the musical genres of melodic films and the trends of melodious preferences deep down the fiat. Even with the same musical movie genre, certain marked up evolution skunk be noticed excelling from sing in the Rain in 1952 and the latest Hairspray last 2007.The trends of musicality, trends of conservatism to advanced musical play, and the symbolisms of society present keep greatly expanded in different perspectives, such as classical to pop musicale, rock to bang music, conservative fashion to less detailed professional look, etc. frequently has been changed and shifted as depicted through the movies of Singing in the Rain (1952), westerly Side Story (1961), Godspell (1973), Fame (1980) and Hairspray (2007) hence, these movies are considered as the main focal points of the discussion.The inclination of the study is to compare and contrast each of the genre presented in only of these musical m ovies. Furthermore, the study considers the mutual influence that occurred between these movies and the governing trends in society during the year of its making. Discussion Hollywood Musical Progress Hollywood musicals cave in always incurred popular support from various classes within the society, and these movies engender undeniably influenced the statements and trends present in the society.Meanwhile, some of these movies, such as hairspray (racism), have obtained its plot from the current social issues manifesting in the society. Starting with the musical of constituent Kellys Singing in the Rain in 1952, the basic trends that idler be obtained relates to the rise of showbiz careers by the protagonist (Don Lockwood portrayed by ingredient Kelly) of the report card, while the antagonist (Lina Lamont as Jean Hagen) sabotages the success of Lockwoods musical career (Green and Schmidt, 1999 p. 70). The character of the movie can be inclined principally in a fifties setup wh erein conservativism evidently exists in the characters portrayals (deep wordings with lesser use of slang), clothing (overly formal suits from 1950s), and the concept of the play, which somehow considers the trends of stardom in issues of musical entertainment in 1950s.Meanwhile, the genre of West Side story (1961) has obtained similar features with the latter musicale only in terms of romanticism play in a contemporary setting however, the overall concept has been revolutionized into a somewhat modernized issue of society, which has been gangsters and dance crazes (Green and Schmidt, 1999 p. 233). The movie portrays the evident trends occurring within the society in terms of the group deviancies, gang wars, and peer organizations that has been unify with the context of love at first site (Richard Beymer as Tony and Natalie timber as Maria).The movie provides the diaphanousion on how jejuneness moves in advance(prenominal) relationships and seeks peer influences rather familia l presence. The next movie is Godspell in 1973 can be considered in musical genre just about spiritual and hard-nosed life issues. From the title of the movie itself, Godspell depicts the characteristics of Christian evangelism, which has occurred greatly during 1970s to a lower place the promulgations of different famous religious preachers, Benny Hinn, Don Moen, etc.The musical of Godspell somewhat provides the theme of Christian messing forms wherein they employed less choreography, incorporated distinct teachings of Christ Jesus, and the return of the youth to church fellowships (Burridge and Gould, 2004 p. 4). On the other hand, the religious context of the film provides an enigmatic way of messaging the society about Christian orthodox and the need to unite.Most significantly, it is during 1970s when the historical triggers of heart and soul East Wars, racial discriminations, industrial revolution and various conflicts within the society are all present hence, the play uti lizes religion and has shown the reverting of youth from rebellious perspective to an evangelical concept. Meanwhile, Fame in 1980 has provided a unique and a total diversion of theme from the last terce socially orientated movies. Fame considers the modern movement of arts and place of youth in the society, which is a total diversion from the earlier genre of romanticism and conservativism (LoBrutto, 2002 p. 22).This movie somehow illustrates similarities with Hairspray (2007) since this musical uses a classical setting in 1950s to 1970s but utilizes the concept of modern entertainment similarly seen in the movie Fame. The social impacts of the last two movies involve concept of wise wave, wherein the creative and modernistic means of musical is presented with less internalization of serious social issues, but rather focusing on personalised precepts. ConclusionEvidently, the five films presented in the discussion have shown evolution of genre from classical to modernistic or n ew wave categories. These involves the depiction or illustration of societys condition, such as the first three films that based their plot in the occurring societal issues, and shifting or fitting of themes, such as the ones viewed in Hairspray and Fame. The changes and shifts within Hollywood musical have always considered the trends present within the society.